"Ride the Tiger" new Theater Production
March 29, 2013)
and teacher Jordan
Lage is playing the role of Giancana in the play that starts preview
sin New York on Wednesday, March
27. New Haven
Sam and Frank, JFK and Judy Now on Stage
Jordan Lage plays Sam and Paul Anthony Stewart plays Frank.(T. Charles Erickson /
By FRANK RIZZO, email@example.comThe
March 29, 2013
When William Mastrosimone was working on the script for the 1992 mini-series "Sinatra," the singer told him a startling tale that involved Joseph Kennedy Sr., JFK,
mob boss Sam Giancana and Judith Exner, Sinatra's
girlfriend who was also mistress to both Kennedy and Giancana. Chicago
It was a tale of power, sex, murder, intrigue and hubris, the stuff of Greek tragedy, not to mention political and mob legend.
That story was the starting point for a new play, "Ride the Tiger," now in previews, and opening Wednesday, April 3, at New Haven'sLong Wharf Theatre.
An earlier version of the work titled "Dirty Business" premiered in
in 2008. But Mastrosimone, (off-Broadway's "Extremities," "The
Woolgatherer," and "Shivaree" which premiered at Florida in 1983) says this new
version steps away from docudrama and refocuses on the psyches of the
high-profile characters. Long
The Long Wharf production stars John Cunningham as the senior Kennedy, Douglas Sills as JFK, Peter Anthony Stewart as Sinatra, Christina Bennett Lind as Exner, and Jordan Lage as Giancana. Artistic director Gordon Edelstein stages the show.
Over a diner breakfast near the meatpacking district where the theater is located, the Trenton, N. J.-born Mastrosimone, 65, talked about gaining Sinatra's trust and his own efforts to fill in the details of the story of how the singer put the Kennedys in contact with Giancana, how the Mafia's efforts in Chicago helped get Kennedy elected, how the Kennedys — once in office — betrayed that favor, and what happened after.
Short, stout and balding Mastrosimone looks like someone who could easily travel in the shadowy circles of power and intrigue, a no-nonsense sideman who would make you feel comfortable sharing a confidence, counsel or a drink.
"I found Sinatra at a time in his life when he was very willing to tell the story," he says sotto voce.
"This was a man who was 77 and he wanted to get things off his chest," says the writer. "Basically Frank was saying that Sam Giancana had the motive, the means and the opportunity to do this."
"This" meaning the 1963 assassination of the president.
The play takes place from 1960 during the presidential campaign through 1962, and presents a motive that allows the audience to project to
in 1963 and
imagine that Kennedy's assassin did not act alone. Dallas
The connections among the CIA, JFK and the mob is not breaking news. Members of the Giancana family have already recounted their version of the time in "Double Cross: The Explosive, Inside Story of the Mobster Who Controlled America," a 1992 book by Giancana's brother Chuck Giancana and Chuck's son Sam. Giancana's daughter Antoinette also wrote about political and mob ties in the 2005 book "JFK and Sam: The Connection Between the Giancana and the Kennedy Assassinations."
Mastrosimone is working as a dramatist, using information from Sinatra's personal perspective to imagine the behind-the-scenes power plays.
Does he believe that the well-established mob connections led to Kennedy's assassination?
"Yeah," says Mastrosimone.
It started, he says, in 1960 with the senior Kennedy — who made money in the booze business during and after g Prohibition — asking the entertainer, who was a pal to JFK, to lunch.
"Joe said to Frank, 'You know some very unsavory people in
.' He never said,
'Mafia.' Joe asked Frank to go to Chicago
to ask Giancana, who was an organized crime figure there, to swing the union
vote Jack's way in the election." Chicago
"Sinatra went to Giancana and asked him for this personal 'favor' which was the coin of the realm in that world. The assumption was in the end Kennedy would get the labor vote and the mob would have someone in the White House."
But once elected, Kennedy's brother Robert became attorney general and launched a campaign against the Mafia by jailing, indicting and deporting mobsters all around the country.
"It was a precaution against anyone saying the Mafia got the president elected," says Mastrosimone, "and it worked."
All About Hubris
"What do you call someone who asks a favor like that and then tries to screw the Mafia?" says Mastrosimone. "Are they idiots? The Kennedys are not idiots. It's about hubris."
"Ride the Tiger" characterizes JFK as being "undisciplined, out-of-control and an adrenaline freak," says the playwright. In the play's first scene Joe Kennedy, a formidable planner who envisions a 100-year dynasty for his sons and their offspring, warns his son about his problem.
"The Kennedys cut Frank out, too," says Mastrosimone, "and that infuriated Sam who felt like he looked like a fool in front of his people — and foolish means weak and that means there's danger to his own life from his own people.
"Sam said to Frank: 'Joe knows who I am but his kids think I'm the Boy Scouts. They don't appreciate that I am a powerful man.' The last thing he said to Frank was, 'We're going to show those two brothers how the Boy Scouts keep score."
JFK was killed in 1963; his brother Robert in 1968, though Mastrosimone says the mob link to RFK's assassination is not strong. Giancana's relationship with the
CIA — he was involved
since the late '50s in plots to kill Cuba's Fidel Castro — has fueled a conspiracy theory
about the presidential assassination.
That theory was bolstered beginning in January, 1975, when a senate committee was created, headed by U.S. Sen. Frank Church, a Democrat from
, to investigate Idaho CIA
and Mafia ties.
Prior to testifying, Giancana was killed
June 19, 1975, in his
home, from gun shots to the back of his head and in the mouth — the latter seen
as a warning against talking. Chicago
Mastrosimone believes that Giancana knew his killer because the table was set for two and sausages and peppers were simmering on the stove. The writer is not sure whether the murder was a mob hit or done by the
Mastrosimone remembers a telling transcript of a wiretap at a restaurant where Giancana and another mobster were meeting. When the other mobster, who was just indicted, asked him what to do, Sam pointed to a stuffed marlin hanging on the wall. 'You see that fish up there? The only way it got caught was when it opened its [expletive] mouth.'
Power of Beauty
And as for party girl Exner who linked Kennedy and Giancana?
Compared to the other characters, "she looks like an ant next to giants," he says. "But her power was that of the Geisha Girl — the power of beauty, being subservient and possessing the ability to stop a man in his tracks with a glance. She understood that powerful men don't want powerful mistresses. They want malleable people.
"But there are things that she wants. She believes that Jack loves her and she has a future. She believes she can be First Lady, though she never says that. Still, she fights for that in her own way."
Exner wrote her own memoir in 1977 entitled, "My Story."
"I don't buy her version at all," says Mastrosimone. "It's laughable. I think she wrote that book after Sam was murdered to tell the Mafia, 'Look, I have a chance to spill the beans and I'm not going to do it. In fact, I'm going to entertain you with all this [b.s.] and lie and you will see you have nothing to fear from me.' I believe she was truly fearful for her life." Exner died in 1999 at the age of 65. Joseph Kennedy suffered a stroke in 1961 and died in 1969, living long enough to see two sons assassinated. Sinatra died in 1998 at the age of 82.
Though Mastrosimone thought Exner's version was a protective concoction he believes the behind-the-scenes story Sinatra told him for two reasons.
"When we talked about JFK his eyes welled up. He was still smarting from the betrayal 25 years later. But there was an even greater reason why I believed him. The story he told made him look bad. That tough Sinatra of popular propaganda is not in this play. In this play he gets pushed around. He's humiliated. So why would he tell this story? Because he wanted the truth to be told."
Does Mastrosimone have any fear of retribution for telling this story?
"It would look good on my resume if I ended up like Johnny Roselli in a 50-gallon drum filled with cement," he says with a small smile of the mobster known as "Handsome Johnny," a friend of Sinatra's who was called twice to Church's committee. "But the mentality of the mob has changed. They would be proud of this."
And finally, the meaning of the title of the play?
Mastrosimone says it came from Kennedy's inaugural address in which he warned countries who were gravitating toward Communism.
"Once you are riding the tiger," says Mastrosimone, paraphrasing Kennedy, "the problem comes in the dismounting."
RIDE THE TIGER runs through April 21 on
's main stage, Long
Sargent Drive, New Haven. Tickets
are $42 to $72. Information: 203-787-4282 and http://www.longwharf.org.
'Ride the Tiger' at
Tuesday, March 19, 2013
The history and mythology of John F. Kennedy that has fascinated Americans for more than a half-century is the inspiration for the new play at Long Wharf Theatre, "Ride the Tiger," by William Mastrosimone.
The play is about one of the most gossiped-about aspects of the Kennedy story -- his friendship with Frank Sinatra and his sexual relationship with Judith Exner, a woman Kennedy shared with mob boss Sam Giancana.
Some say the tangled web of politics, show business and organized crime played a role in Kennedy's assassination less than three years after he became president, so "Ride the Tiger" will be of special interest to the conspiracy theorists going into overdrive as we approach
Nov. 22, 2013 -- the 50th
anniversary of the terrible events in . Dallas
In a phone interview last week, Lage said he was thrilled that director Gordon Edelstein had chosen him to be part of this much-anticipated production.
"It's one of those roles you only get every few years, so I feel very lucky. There aren't a lot of roles as juicy as this," Lage said of playing Giancana.
"That whole era is just so interesting -- the fiction that has been created out of it, and this is a fiction," the actor stressed of Mastrosimone's take on what happened between the four major characters in the lead up to the 1960 election and then the months after that.
The mix of the real and the mythological might remind some theatergoers of the Oliver Stone film, "J.F.K," Lage said.
"You do have to regard it as a made-up story, but there is also that element of could this have been what happened?," the performer noted of the many fictionalized takes on Kennedy and his tragic end over the past 50 years (including, most recently, the very popular Stephen King novel "11/22/63").
Lage said there has been much talk of the real Sinatra at rehearsals for the play because Mastrosimone interviewed the star extensively when he wrote a TV miniseries on the performer's life.
Apparently, Sinatra told the writer some things off the record that might have found their way into "Ride the Tiger."
"Some of it seems too unbelievable to be true," Lage said, adding with a laugh, "But what could be more unbelievable than what is going on in
The actor has done some research into the gangster he plays, but has focused on bringing the Giancana of the script to life rather than create a facsimile of the real man.
Lage was stymied in his attempt to find out what Giancana himself sounded like because there is so little footage of the gangster available.
"I watched the footage of him (at one of the Senate organized crime hearings) but he only gave monosyllabic answers, so I can't really go for `authenticity,' " the actor said.
Giancana was a
mobster and Lage is well versed in Chicago
accents from his long association with David
Mamet, both as a student and then as an actor in his plays. (At the urging
of Mamet, Lage and a few of his fellow actors founded the Atlantic
Theater Company in the Chicago
section of Chelsea .) Manhattan
"David (and his friends) grew up in the 1950s so I'm not even sure if Giancana would have sounded anything like that since he came from a much earlier era," he said.
The fascination with the Kennedy era has intensfied with the popularity of the "Mad Men" TV series, which has depicted the lifestyles of the men and the women of the early 1960s in loving detail.
"Every generation seems to have its own nostalgia interests. In the 1970s there were so many things about the 20s -- `The Sting,' `The Great Gatsby.' I think now we've moved up a few decades to `Mad Men' and the Kennedys," Lage said.
Long Wharf Theatre,
Drive, New Haven. Wednesday,
March 27-April 21. $52-$42. 203-787-4282, www.longwharf.org.